Half way through this movie, the director Wayne Blair and I were standing on hill shooting explosion plates, talking about our childhoods. We realised pretty quickly that we had common childhood friends, and had actually played together near an angry billygoat in the sweltering Queensland sun. It was a fantasic, surreal moment recalling our childhoods, watching massive explosions being let off half a mile away. I was production VFX Supervisor on this one, and it was nominated for a Australian Academy award in 2012.
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