Another one of those “big” CG films with lots of vendors. I supervised quite a few sequences on this one, which came to about 250 shots. Digital makeup, creatures, and environments.
A visual effects supervisor is basically a visual problem solver. I try and recruit ideas from a variety of sources—new, old, borrowed or transposed from other disciplines and industries; curiosity drives me. But ultimately, I am an creative image-maker first and foremost.
I closely collaborate with others and keep a holistic view of the process—delivering creatively, on time, on budget. I excel at logistically complicated projects and team building.